Sundays higher than highs.

It's actually difficult to sum up just how good this memorable one-off weekend was but I've no doubt others have done. I'm glad I went and look forward to the DVD or Box set CD's!!

Further thoughts from Steve Pritchards

Some final thoughts before THE weekend is replaced by a new one. They're mostly away from the performances as I can't add to what's already been said. My abiding memory is the abiding sense of respect from/to the audience and performers and vice versa. Also seeing a number of performers who had done their appearance on Saturday but still showed up on Sunday, it can't have just been because of professional courtesy.

DC almost breaking up when saying thank you at the end and being comforted by Rod brought a lump to the throat..

Chats included Blue revealing he was absolutely terrified during his solo slot, congratulating Andy Richards on his performance, hearing how much he enjoyed it and overhearing him tell DC exactly the same thing Sunday night.

Brian and Catherine were as welcoming as ever, I got the only signature I wanted - Ricks on my live Six Wives CD. Fred was his ever friendly self. In fact every one you spoke to was. Thanks also to Allan, Julie & Steve for putting up with my witterings.

Finally much was made of missing Hud but it would have been nice to see Tony Hooper there, performing or not. Rod Demick was another ex-Strawb not present.

Many have said what a special weekend it was and it's so true - it could never be equalled.

However despite a weekend of highs there were the inevitable lows and all to do with the catering, couldn't someone have been a bit more adventurous with the menu on both days!!

And so we wait to see what's next in store. No Christmas do, I hear. So the next tour Acoustic or Electric will be of interest, with the ever constant question - for how much longer?

RANDOM THOUGHTS FROM THE LIVE ROOM - Review by Pete Bradley

On paper, the weekend was meant to be a commemoration of the fact that it was forty years since the release of the Strawbs first album, "Strawbs". I would have put money that the single "Oh How She Changed" and the first track "The Man Who Called Himself Jesus" would have been played, and I would not have been surprised if Richard Wilson had been invited along to re-create his spoken introduction on the record. As it was, only two tracks from that album were played, "Josephine (For Better Or For Worse)" [in its earliest recorded incarnation, INTENDED for Strawbs, but which was rejected by A&M and actually saw light of day in a very different version on Dragonfly - DG], and "Tell Me What You See In Me", neither of which were introduced as being from the first album. The weekend turned out to be not just a commemoration, but a celebration of the huge diversity and talent of Strawbs, both past and present.

Dave Cousins was born to be a showman. Ever since the early days, when he hosted the White Bear Club, he has surrounded himself with extraordinary talent and has excelled in bringing this talent to the foreground. The two day event could so easily have become a Dave Cousins ego-trip, but every musician was allowed to bask in the limelight.

Don't think that there are many acts that could fill two full days of live music and still leave you wanting more. The fact that there were so many songs that weren't covered, ("Barcarolle", "The Battle", "Deadly Nightshade", "Ghosts", "Golden Salamander", "Who Knows Where The Time Goes", "Face Down In The Well", "If", "Call to Action", are songs I'd hoped to have heard), and the fact that there are so many other musicians/acts that could have been included (e.g. Tony Hooper, Claire Deniz, Lambert and Cronk as a duo, Ming Hat, Miller Anderson, Connie Conrad, Richard Hudson, etc.) is evidence of just how good and varied the Strawbs are. So many truly wonderful songs and so many musicians that you just can't fit them all in to two full days.

The souvenir brochure/programme for the 40th was excellent and was actually informative. Over the years, there has been so much written about these guys and their history that you'd have thought it would be impossible to come up with new facts that we didn't all already know, but somehow they managed it. Most revelatory was Chas's entry! For those that don't know the British media, we have a newspaper called The Sun, whose main claim to fame is Page 3, which normally features a photograph of a topless model, (invariably female). It appears that back in 1978, they catered for a wider audience, and sometimes used topless male models, one of whom was none other than our Chas! Not a wind-up. I kid you not. The photograph of Chas in the programme was taken from the article.

The Live Room is a mis-nomer. It is far more than a room. Apart from the entrance hall and the theatre itself, there is also a large function room (called the Rose Room) attached. In the Rose Room, there is a bar, loads of tables and a food serving area (connected to an adjacent kitchen). A large table had also been set out for the merchandising, filled with T-Shirts, programmes, posters, and CDs.

A stage had also been erected in the far corner, lit by a couple of spots. When John Ford first saw the Rose room he assumed that this was the entire theatre, and was a bit worried that the stage wasn't going to be adequate to support the weekend's entertainment, but I assured him that this was only the bar, and that the actual theatre was hidden away behind another door.

The theatre itself has to be one of the nicest I've been to. There's a large area in front of the stage, with tables and chairs, (large enough to also accommodate the orchestra). The main seats though are on a decent slope, so no matter how tall the person in front, you still get a good view of the stage. There's also plenty of leg room, so people can get through without you having to leave your seat.

The main stage was beautifully lit, with mood lighting round the walls of the theatre. There were also lights mounted on the floor pointing at the wooden stage front, so that the whole visual thing encompassed more than just the stage. The acts varied from solo artists, through duos and trios up to full electric bands. At no time did the stage seem so big that solo artists looked small or lonely, or seem so small that bands looked squashed. No idea how it was done, but guess it was down to the skill of the lighting technicians.

Fabulous to meet so many fellow fans from so many different countries. Most pleased to meet Taylor, now almost a grown man, but previously known only as the toddler in danger of falling in the lake in the DVD of the Strawbs 30th celebration at Chiswick House. Fabulous to meet and chat in the bar with so many of the musicians as well. Really chuffed that so many people have now seen and heard so many of the musicians, like Cry No More, Fire, the Blue Angel Orchestra, Brian and Cathryn, who we've seen before in the UK, but who haven't been seen abroad (yet).

Every one who played looked as if they were having so much fun, and there was so much humour. Fred Wedlock, who compered, was hilarious. When Rick Wakeman and Dave Cousins played their set together their banter was side-splitting, and I really hope that some of that gets included on the DVD when it is released, though some of it may need Parental Guidance (particularly Rick's comments about spotted Dick). Biggest laughs, though, came from Roy Hill in his set with Cry No More. He launched into a mock tirade of insults against Tony Fernandez (Strawbs drummer at the time of the Heartbreak Hill album). Talked to Brian Willoughby afterwards and he confirmed that it was all true. (Saw Tony and Roy happily joking together afterwards, so I can confirm that none of it was true.)

Apparently Sonja plays a couple of Roy's songs live and has even recorded one of them. Maybe, we'll see a Cry No More gig with the three of them one day?

Far too many musical highlights to list them all. So many songs I hadn't heard live before. How could they possibly have had time to rehearse so many? Such massive variation in subject matter, from Fire's "Treacle Toffee World" to Cry No More's "Don't Leave Me Here". So many new experiences such as hearing "Copenhagen" and "Where Silent Shadow's Fall" from the new album, seeing Zeus, Dave Lambert's new band play live for the first time ever (especially their cover of Peter Green's Oh Well), and hearing Sonja Kristina singing the songs that Sandy Denny once sang. The power of the almost stadium rock versions of "Heartbreak Hill" and "Where Is This Dream Of Your Youth" were stunning and in such contrast to some of the more gentler acoustic songs, such as John Ford's "Kissed By The Sun", Brian and Cathryn's "I Will", or Rick Wakeman's "Temperance of Mind". To hear songs like "Heavy Disguise" and "Evergreen" accompanied by an orchestra is an experience that will live with me for ever.

AUTOGRAPH HOUND - comments by Cliff Port

Last Sunday some of my best friends, including my significant other, were gathered at an exclusive London restaurant with an amazing view of the Thames Festival firework display ( it was quite a show by all accounts) to celebrate my 52nd birthday. I, on the other hand, was in Twickenham behaving like a teenager; running around trying to get my programme signed. (In fairness, the restaurant had been booked months in advance and it was only when the finish time at Twickers was moved from 7pm to 8.20pm did I think there might be a clash… no brainer.)

I must confess I wasn't aware of the hidden agenda at last weekend's bash. By the time I realized what was going on it was too late. Did anyone get the full set? I am glad to say that some photos of the Great Autograph Hunt can be seen on Strawbsweb. Great images of swishing pens and flourished programmes submitted by

Fred Wedlock provided me with the clue halfway through Saturday's fun and frolics in one of his "parish notices" when he said that autographs should not be sought at the front of the stage. "Autographs…. That's a good idea" I thought. I set about my self-imposed task with gusto. Obviously, the Saturday performers that weren't around for the Sunday were the primary targets. I finally capitulated after following Blue around like a puppy only to find out he was going to be around on Sunday anyway.

I couldn't stay late so to get Rick needed a bit of thought. I nabbed him at the changeover before his set. I was well chuffed, especially as I thought my chance had gone. I was totally oblivious to him following me out of the bar area after I'd gone in search of him.. A bit Abbott and Costello.

Sunday was pretty straightforward. Again, I couldn't stay late so the imperative was the pre-gig signing. I thought Rob Kirby was going to be difficult but I was wrong. He was a sweetie and when I caught up with him he was signing an insert to "Taste of Strawbs". Blast. I never thought of that…. Mind you, getting a full set for that one is a challenge!

And when I found Andy Richards he was signing a copy of Grave New World?!

Anyhoo, as it turned out I missed Rod and Oliver (I so wanted to ask him if he had ever rebelled against the obvious career as a pianist, and how old he was when he first heard the Strawbs. Did he like it? Has anyone asked him these questions?

I also, stupidly, missed the ubiquitous Dave Lambert. I must have spoken to him at least half a dozen times over the two days always minus either pen or programme and always thinking "I'll get him later.

DC was his usual patient self but I can forgive him anything (I want his baby for chrissake!) but the award for most accommodating autograph goes to… well, it's a tie.

Both Melvin and Sonja were so lovely. Fred comes in a close third… oh, what am I saying, John was so nice and Rick and Chas, ever the charmer, and Brian and Tony…

They were all as great as their musical contributions.

There were several times over the course of the weekend when I called into question the reason why I was participating in this adolescent farce. Now I know. I'm looking at my programme as I write this and every page fills me with absolute and pure joy.

A big thank you to everyone whose contributions to last weekend make that possible.

Photo by Chris Howard - more pictures from Chris

JAM-PACKED WITH SPECIAL MOMENTS AND WONDERFUL MEMORIES - Review by Jean Dulskey

40 Years On – where to start? Having missed Chiswick, I knew that I would be forever kicking myself if I didn't make it to this event. Yet somehow, I didn't expect it to be quite as spectacular as it was.

The main impression from the weekend was how much fun everyone seemed to be having. All the performers – look at how many hung around after their sets were done, and how many of the Saturday performers showed up on Sunday as well, even though they weren't scheduled to play. Mingling in plain sight of the fans, and, with no exception, gracious to everyone who came over to talk to them. And the fans – great to renew acquaintances with UK fans I had met on prior trips over for Strawbs gigs, to get to know UK fans I had never met before, to see the East Coast USA people I know from concerts or "drinks with Dick G at the White Horse", and to meet up with representatives from various European countries. I can't start naming names or know I will leave someone out.

On to the music. Dick Greener and others have already done detailed reviews, so I am just going to add some additional impressions and my personal highlights. This was such a unique event in that every act that played had a direct Strawbs connection. No filler added! I thought the programme was well thought out and well paced, as the larger, louder configurations were followed by smaller or softer groupings, giving a nice ebb and flow to the performances.

Cousins and Cutler The perfect choice to open the festivities. I had been lucky enough to see Ian with Dave when they played in NY. I have to confess that the fiddle is my favorite instrument in the whole world, and Ian's playing is magical. Subtle at times, forceful at others, and always in service to the song. This set the tone for the weekend, brilliant, yet the set was over all too soon.

Zeus I was really looking forward to this group. Unlike most other people I talked to, I was already familiar with all the individual members, but had no idea what the group would actually sound like. In particular I am a huge fan of Graeme Taylor from his work in the Albion Band, Home Service and the John Tams Band. In those bands, he has a very distinctive electric guitar style, so it was quite interesting to hear him play exclusively acoustic guitar. As I expected, the interplay between him and Dave L was just stunning. Jon Davie (also from the Home Service) did some incredible work on the bass and Tom Leary is another master on the fiddle. Very glad I got to hear them on their first live gig. The crowd was impressed, and I hope that the enthusiastic reaction will motivate them to finish recording their CD.

Heartbreak Hill Less nuanced than most of the other Strawbs lineups, but a lot of energy. Great to be there for this historic occasion and boy did they all seem to be enjoying themselves.

Cry No More I had no idea what to expect. Roy's bizarre stories, as Chas looks bemused, then following up with some well-played music. Would definitely go to see them again.

Blue Angel lineup More superb musicianship from all, really nice to have Cathryn bring female vocals to a full band lineup.

Blue Weaver's tunes for Emma (070809). This was an unexpected highlight for me. A solo spotlight for Blue, obviously performed from the heart, as these tunes were composed for his stepdaughter when she was a child, and played at her wedding on 070809. And he even sang!

John Ford A blistering set from John, as he managed to fit 11 songs in. Songs from his solo work, from Hudson Ford (which I was not expecting at all, and thrilled me), from Monks, and finally "Part Of The Union". The inexplicable omission of "Heavy Disguise", but I soon found out that there was an extremely good reason for that. I have heard John play solo a few times, but this was probably the best set I have ever seen him do.

Cousins and Wakeman During the interval before this set, I finally realized the enormity of what was to follow. After all Rick Wakeman is a huge star, a name recognized by many people who have never heard of Strawbs. To have him be at this event is a mark of the respect and affection he has for Dave Cousins, and his time in Strawbs. So I was prepared for the enormity of the occasion, but was still surprised by the enormity of the man himself. Having never seen Rick live before, I did not realize that he is a giant in stature as well as talent. And I was totally unprepared to be laughing during this set. Two longtime friends telling tales on each other, and letting the audience in on the joke. Considering that this set was probably the most serious in terms of the material covered, it was a nice balance and the perfect way to end what had been a perfect day.

Hanging out in the bar afterwards, more from Cry No More, lots of socializing. Back to Travelodge for more festivities. Thanks to Nigel for arranging transportation to and from the venue - a gargantuan effort, much appreciated. Thanks also to Dick Greener for really fostering a sense of community among the fans who were staying there.

Fred Wedlock Was a great compere, with just the right amount of irreverence. His Sunday opening set was a funny, gentle intro to day two, and helped assuage the deep disappointment that the Strawberry Fools were not playing.

Cathryn Craig and Brian Willoughby. Beautiful vocals from Cathryn, and a chance to really focus on Brian's guitar work. (How does he make it look so effortless?) What more is there to say?

Blue Angel Orchestra Another highlight for me. What a great sound this group has. Melvin Duffy's slide guitar worked surprisingly well, Ian Cutler back again on fiddle, stellar work from the rhythm of Chas and Chris Hunt. Perhaps one of the most memorable visuals is of Dave Cousins jumping up and down in excitement while playing rhythm to Ian's tour de force on Orange Blossom Special. The only other time I have seen him do that was during the 2007 Cropredy performance. Strawbs have always been a song-based band (understandably, with the wonderful songwriting talent), but they certainly have the musicianship to do pure instrumentals as well.

Acoustic Strawbs. A wonderful 4 songs from the current acoustics, including particularly edgy vocals from Dave L on "Cold Steel". Then they were joined by Sonja Kristina, to revisit the All Our Own Work material. Strawbs continually pluck out gems from the back repertoire, but I never expected to hear these songs done with a female vocalist. Sonja did a credible job, although she is no Sandy. Then again, no one is – look at how many different female vocalist have covered Sandy's material at Cropredy. These songs were the emotional highlight for me up until that point. My favorite moment was how in the repetitions of the line "All I Need is You" in the song of the same title, Sonja took Sandy's line, Dave L did Tony's, and Dave C did his original, then at the very end, we had a rare solo vocal line from Chas. True to the past, yet firmly in the present.

Fire Nice evocation of the 60s era, when so much was happening musically, and all kinds of influences came into play.

Electric Strawbs I had not seen the band with Oliver Wakeman, so I was really looking forward to this set. The opening chords of "Sheep" started, and I let out a shriek of excitement (sorry, anyone who was too close to me). Wonderful beginning. Oliver has some shadings that sound like his Dad, yet he has a style all his own. I was particularly impressed with his interesting work on "Autumn", since that song is very much linked with John Hawken. On that same song, Dave L's vocals were particularly emotional.

The songs with the Orchestra were just spectacular. I was sitting very close to the front, and had debated moving when I saw how close I would be. Very glad I didn't. I felt like I was actually in the Orchestra, and could see the faces of the individual members. They seemed very impressed by the reaction of the crowd. "Evergreen", gentle and beautiful with the strings. John Ford's deferred "Heavy Disguise" – one of my very favorite non David Cousins Strawbs songs. I have heard John do it solo, but hearing it with the full arrangement was just amazing. And then, the majestic "River/Down By The Sea". The arrangements truly conveyed the sense of water as a metaphor for emotions. First some calm, then calm before a storm, raging storm, calm after a storm – all brilliantly executed by the Orchestra and our beloved Strawbs.

Final number of the official program – a beautiful version of "Where Silent Shadows Fall". How perfect in context with a military orchestra. And also, how perfect to end the set with a new song. Because unlike many bands that have been around for a long time, Strawbs continue to make new, vital music. The fans (intelligent and discerning as we are) are not just interested in the gems from the past, but eagerly give our attention to and appreciate new material.

My one quibble comes here in that there was no encore. Although I realize it would have been a logistical nightmare, I would have really liked to see a massed Strawbs performance, with all the members who were still around on Sunday. It would have added a great sense of closure to the entire event.

To the bar on such a wonderful high. The intrepid Fools bravely did a set on the stage there. Talk about a tough act to follow, but they did very well. John Ford immediately set himself up in the front row, but I noticed several other Strawbs checking them out as well. Then the afterband with various Strawbs led by Vince Martin.

Lots more socializing, photos of band members and other fans, autographs. I was not intending to do the autograph thing, but then Wakeman and Cousins set up on Saturday night, and I couldn't resist. Knew that I wouldn't get everybody, as I had missed all the Saturday performers. But thanks to the fact that some of the Saturday performers resurfaced on Sunday, and with a last minute run to Jo Partridge as he finished up his afterset, I got quite a good collection. As I said before, every single person was gracious, and seemed to be genuinely happy to be there.

What a wonderful event. In many ways it was over much too soon. Yet it was so jam-packed with special moments and wonderful memories that it seems impossible that all that could have taken place in only two days. Not meant for the casual Strawbs listener, this was truly a celebration that rewarded the devoted fans.

I have to say a few words about Dave Cousins at this point. Although there has been lots of talent in the band over the years, we all know that he is the heart and soul of Strawbs. It was terrific to see him playing various roles over the weekend – rock singer, folk singer, rhythm guitarist, solo guitarist, banjo player, dulcimer player etc. He even got to be compere for one slot, when he introduced Fred Wedlock. More outfit changes than a diva at an awards ceremony, which showed how seriously he took each individual performance. Although he admitted he was exhausted by the very end, it never showed in the quality of the performances. What did show was his emotions, as he seemed deeply moved by getting to work with all the different musicians, and by the reaction of the crowd.

Finally, thanks to all the Strawbs who were present at the weekend for a fabulous two days of music and to them, plus all the Strawbs who were only present in our hearts, thank you for all the joy that your music has given us over the years.

Photo by Adrian the Rock more pictures from Adrian

ALL IN ONE MAGICAL WEEKEND - Comments from Joanie Eggert

I have been enjoying reading everyone's commentary on last weekend's Strawbs Family Reunion (as I have come to think of it) -- it is wonderful to hear everyone's thoughts and commentary from different points of view. And it is also helping me to relive what is without a doubt one of the peak experiences of my life.

For now I just want to say that the 40th was the most amazing family reunion I have ever attended. Watching the Strawbs' performing famly onstage in all the various configurations, and seeing so many facets of the multi-talented musicians that have lent their contributions to the band over the years -- I felt like a kid turned loose in a candy shop! Brian Willoughby playing electric guitar, Blue Weaver with TWO Mellotrons, Cathryn Craig adding her lovely voice to the Acoustic Strawbs, Dave Lambert presenting "all the faces of Dave Lambert" with one ensemble after another, Sonja Kristina bringing the beautitful Sandy Denny/Strawbs songs back to life, the ever-versatile Chas Cronk -- everywhere!, Tony Fernandez grinning like the happiest drummer on the planet, Rick Wakeman playing grand piano so close to me that he could be in my living room, Electric Strawbs with an ORCHESTRA, fercryinoutloud!!! There were times when my chest felt like it would explode, because my heart was so full of the awesome beauty and emotion of the music I have loved so well, for so long, coming to me live from stage, all in one magical weekend. (I would love to mention everyone and all the musical highlights, but just haven't got the energy right now, because of this darned cold.)

And then the family reunion spilled over into the Rose Room next door. Not a typical 'music fest' atmosphere where the musicians were HERE, and the fans were THERE... not at this event. The family feeling continued as the musicians mingled with the fans, signing autographs, reminiscing, clearly enjoying the magic of the weekend as well. And more music on the Rose Room stage -- a few of us even got to dance to a reggae beat before the weekend was through!

And through it all there was the incredible camaraderie of the Strawbs' fan family. Meeting Witchwooders I have only known through their words and being welcomed as the long-lost cousin from America, I was overwhelmed with the graciousness and warmth of the British Witchwooders and many others who had travelled from far and wide to be a part of this once in a lifetime event. It was great fun reuiniting with others who I have the pleasure of sharing the music with when the Strawbs come to the US, too. The festivities continued long into the wee hours back at the Travelodge where I was staying, and I am sure would have gone on non-stop if it weren't for our human bodies' need for sleep (did anyone else have that nagging feeling that we aren't as young as we used to be??)

Just like the musicians onstage, we are all so diverse. So many different people from so many different places, all with their own unique tastes and points of view, but with one common thread tying us all together -- this music that we all love so much. For two all-too-brief days, we were one big family. And we celebrated the music together to our fullest capacity. I hope one day to meet you all again, but until then, this event will live on in my heart. Good thing I was one of those people engaging in 'the great autograph hunt', because if I find myself in disbelief that it ever happened, I have proof!

TWICKENHAM TALES - Review by Lindsay Sorrell

Before the Twickers experience gets too far buried in my memory I'd like to add my voice to the reviews already written, and say how much I enjoyed the whole weekend. Like Strawbs' Chiswick reunion in 1998, which I was also fortunate enough to attend, the extravaganza was magical and this time lasted for two days, not one. The downside for me is that my adrenalin buzz was once again so strong that I've found it hard to remember a lot of what happened - thank goodness for everyone's reviews, photos and setlists, they have proved invaluable!

To start off I do distinctly remember having a lot of fun helping out on wristband duty, which provided an excellent opportunity to meet many friendly fans. Dick and I became experts in the skillful art of "wristbanding" (known in the trade as "putting on" and "cutting the end off"), while Pete Rand excelled at convincing unsuspecting fans of their desperate need to bulk-buy programmes with his Petticoat Lane patter.

Eventually doors opened, and a January sales type queue which had been waiting patiently in anticipation bustled excitedly through from the foyer into the theatre. Decisions, decisions – my little crew had been told the theatre had well-tiered seating, and also tables set out at the front from which to choose. "Where are the tiers?" asked Nigel Bennett as he stumbled into the theatre, his view obscured by the pile of spreadsheets detailing the weekend's transportation rota to and from the Travelodge he was holding. Thanks Nige! Many decided on table seating, but along with several friends I went for the tiers. We truly were spoilt for choice as the view seemed to be excellent wherever anyone chose to sit.

Ok, on with the musical delights now. I promise!

DAVE COUSINS and IAN CUTLER started the proceedings with Ian's excellent fiddling accompanying Dave's vocals. Together they provided a taste of the excitement that was to follow and got everyone very much "in the mood".

ZEUS - I could have listened all day, and the next, to Zeus. It was terrific to hear Dave Lambert get the opportunity to sing lead vocals more than is possible within Strawbs. The expertise of all the musicians involved (Dave, Tom Leary, Graeme Taylor, and Jon Davie) and the meshing of their musical styles was superb, as a standing ovation testified! Zeus is definitely a band to watch out for, and hopefully there will be some samples of what we can expect to hear on their forthcoming album soon appearing on their myspace at www.myspace.com/zeusacoustic.

First "STRAWBS" to take the stage was the HEARTBREAK HILL line-up – it was fantastic to hear the songs from that album played live, some of which I consider to be among Strawbs' most potent. What a powerhouse of a drummer Tony Fernandez still is (despite Roy Hill's later quip to the contrary!) and he and Chas Cronk rocked the place good and proper. It was great to see Andy Richards again too, and having earlier blanked him when he introduced himself to me at the wristband desk (unintentionally of course - he had big curly hair last time I saw him!) I would have recognised him with my eyes shut once he started playing. Jo Partridge provided some terrific guitar, just as on the album.

CRY NO MORE – Roy Hill and Chas Cronk were both on top, top form. Roy was clearly relishing every moment of playing to the gallery, and had the audience eating out of the palm of his hand. I've seen CNM (and Roy solo) many times before, but always come away feeling as though I've found 20 pence. (CNM in-joke!). Lest anyone gets the impression CNM are simply a "comedy duo" however, buy the albums and have a listen to the rather deeper lyrics which accompany many of their jaunty little tunes. It was brilliant to be treated to CNM's "Buy One, Get One Free" offer of a second set in the Rose Room at the end of the evening, which kicked off with one of my faves, "George's Bar". I adore that song, and the audience reaction close to where I was standing was a sight to behold! (www.myspace.com/crynomoremusic)

Next STRAWBS configuration was the BLUE ANGEL line-up – again, it was wonderful to hear another selection of different Strawbs' songs, this time with both Brian Willoughby and Cathryn Craig drafted in to give a slightly "prettier" sound than the HH line-up. Nice to see BLUE WEAVER back onstage with the band too; I really enjoyed his solo spot at the end complete with an explanation of the song he wrote for his daughter when she was young and recently played at her wedding. A nice (and unexpected) treat to hear him sing solo too.

JOHN FORD – I really enjoyed hearing John perform again, and found it very emotional too, as he played a "Hudson Ford" medley which included my favourite HF song, "Floating in the Wind" and was dedicated to Ken Laws and Micky Keene (former drummer and lead guitarist, now both sadly deceased). Not for the first time of the day I had to reach for a tissue, as the songs brought back so many happy memories of my youth and a lot of fun times at HF gigs. It was great to hear John perform "Big Hit In India", and "Together Apart" again too. (www.johnfordmusic.net)

RICK WAKEMAN and DAVE COUSINS – what can I say…unsurprisingly, it was a superb set, full of musical delicacies with much banter and humour. Thankfully Rick and Dave managed to stop laughing at each other's jokes and stories for long enough to play several Strawbs' classics, including the first Strawbs' song I ever heard, "A Glimpse of Heaven". It was a beautiful set to round off an amazing day.

The second day of celebrations began with a set from FRED WEDLOCK. Again I made a move for the tissues - I've seen Fred several times now and have never failed to be moved to tears. He made a great compere throughout the weekend, and his "British Barbecue" song is still making me chuckle.

CATHRYN CRAIG and BRIAN WILLOUGHBY, up next, gave an excellent performance, with Brian's intricate guitar-playing complementing Cathryn's powerful vocals. They left the stage with a bang due to something being plugged in behind the scenes. Loud as it was, that couldn't detract from what had gone before and hopefully their performance will draw many out to catch them on their forthcoming UK and European dates, and also to invest in "Calling All Angels", which was released recently. (www.craigandwilloughby.com)

THE BLUE ANGEL ORCHESTRA - aided and abetted on this occasion by both Ian Cutler fiddling away and Melvin Duffy on pedal steel (it has usually been one or t'other in the past) rocked as ever. Favourites for me were the bluesy "Hellfire Blues" and the drifty "Mellow Moon" (in complete contrast to which it was virtually impossible to sit still in my seat by the time "Skip to my Lou" finished the set). (www.myspace.com/theblueangelorchestra)

Fittingly, the third STRAWBS incarnation was the acoustic trio, who played superbly as ever. They were joined on some songs by Sonja Kristina who took over Sandy Denny's vocals, recreating a long-gone Strawbs era from the mists of time. Sonja did a great job (Essex girls rock – I just wish I knew how she still manages to look about 29!!).

FIRE – having seen the 2007 Fire reunion shows, and owning "The Magic Shoemaker" album (and the live CD released in 2008), I knew what to expect, or at least what I hoped I could expect. I wasn't disappointed – Fire were as powerful and tight as ever, with Dave Lambert on lead vocals and guitars, Bob Voice (drums) and Dick Dufall (bass) clearly relishing every moment of this latest opportunity to recreate their late 60's/early 70's sounds. The set included "Treacle Toffee World" and "Father's Name is Dad", both of which I really enjoyed. The enduring appeal of these extremely punchy songs was clear (the latter was voted no. 6 in a poll of "The Ten Best British Psychedelic Songs" in The Independent newspaper in 2004, and clearly for good reason). It was a nice touch to see the "fairytale" backdrop projections used for the 2007 shows again. Exciting stuff, just a shame it all seemed to be over so quickly! (www.myspace.com/2007fire)

Finally, the current STRAWBS line-up blasted the audience from their seats – this wasn't a surprise as I'd seen this line-up several times on their last tour, but they were no less awe-inspiring for that. Oliver Wakeman has taken over where John Hawken left off in admirable fashion. Despite having such a difficult act to follow, he has firmly put his own stamp on the band's sound. Rod Coombes and Chas provided a superb rhythm section backdrop as ever, and the band rocked as one.

Everything for me started to become a bit of a blur from that point onwards, as emotion must have got the better of me along with many others in the audience. I assume it was a combination of the poignancy and majesty of the songs being played with the addition of the Royal Artillery Band, the crowd reaction, and the fact that a magical weekend among so many friends was rapidly drawing to a close. Refreshing my memory by looking at the setlist and other reviews I do recall that "Evergreen" was definitely a peak moment for me, with astonishingly beautiful orchestration at the hands of Robert Kirby. John Ford accompanied by Dave Lambert and the Orchestra performed "Heavy Disguise", another Strawbs' classic, and a stunning finale followed in the form of "The River/Down by the Sea" and "Where Silent Shadows Fall". I can't wait to see the DVD as I barely remember any of it! (That may sound ridiculous but the more engrossed I am at a gig the less I remember. I was definitely ENGROSSED!!)

Anyway, thankfully we were all let down gently after the official Grande Finale by yet more treats in The Rose Room, including a slimmed down version of The Strawberry Fools (plus Heather and Joe Bruno – well done!). They provided a soft landing by bravely performing several songs to a large audience which included various Strawbs and hundreds of fans. (I'm looking forward immensely to the next opportunity to catch the full line-up of The Fools in all their glory - www.strawberryfools.co.uk). They were followed by a set led by Vince Martin and various Strawbs – mingling and lots of lively chatter made it impossible to pay full attention in the bar area, but there was a constant backdrop of great music for which I for one was extremely grateful.

So, after various farewell waves, hugs, kisses, cuddles and smooches on the pavement outside the venue, and not wanting to get arrested, it was back to Feltham Travelodge for a final night and madrugada (I love that Spanish word!) of revelry amongst friends old and new. A weary Monday morning breakfast at a nearby café was followed by lots more goodbye hugs and kisses (the café staff were very helpful, but we decided leaving a tip was more appropriate), and the 40th Anniversary celebrations sadly came to a conclusion as we all went our separate ways.

Stunningly good music aside, it really was such a pleasure to spend so much time with other fans and band members, many of whom have given us untold pleasure throughout the years and continue to do so. Another tissue please.

I COULD SCARCELY BELIEVE.. Comments by Allan Fredrickson

Back in my high school days in the USA, when I started getting into the Strawbs, I would have never, ever dreamed that one day I would eventually see them live, and in London, no less. This was only my third Strawbs concert and my first ever was at Hampton Court on May 1st 2009.

Seeing different Strawbs line ups, the Wakeman and Cousins duo, the Acoustic Strawbs with Sonja Kristina, John Ford, the great Robert Kirby conducting The Royal Artillery Orchestra, and all the others, was like a dream. All the different performers and musical sets were brilliant to my ears. Much of the music was new to me such as; Cathryn Craig and Brian Willoughby's music, Ian Cutler with Dave Cousins, Cry No More, and of course Zeus, to name some. Oh, and I can not forget Mr. Fred Wedlock's contribution to the weekend. Great stuff Fred! I have now discovered more wonderful music to explore and listen to. My music/CD collection has grown a wee bit because of this.

The two day concert was so very well organized. Even the "after gig get togethers", in the bar/banquet area were very nice. Various band members were mingling and having drinks and chats with the many fans. For example, I shared a few laughs with Roy Hill and Brian Willoughby. Good fun! Also I had a nice chat with Sonja Kristina about various things "Nordic" and I had a chat with Rod Coombes about various thing jazz related. These were just a few extra pleasures for me. It felt like being at a party, not a concert. I can't remember ever attending such a unique and wonderful musical event. And, for me, I'm not sure if the "40 Years On" concert will ever be bettered, and I have been to many, many gigs. Maybe if Dave organizes a "45 Years On" event..., now, that would be nice!

When I really think about it, for me, this was not a concert or a gig, but it was a happening, an event, a party, a get together of friends. That is how it felt and it felt very good!

A special note. Hats off to Andy Thompson (and to the other bloke, sorry, I forgot your name) for assisting Blue Weaver in the way of two real Mellotrons on stage for the Blue Angel set. It was a real pleasure for me hearing Blue play the 'Trons on stage. For example, the first few chords of Mellotron during "New World" was a real kick when the sound came blasting in! Great! I have to admit that I'm an anorak for that stuff.

And not quite last, and definitely not least, meeting many other very nice and friendly music enthusiasts and fans, such as other "Witchwooders" and some "Fools", was another fine pleasure. A sense of warm friendship and harmony graced the weekend. The entire experience was beyond great for me!

To Dave Cousins, the Strawbs, and all the other creators of the musical magic. Thanks! Music makes life better! Bless you all!

COMMENTS FROM THE WITCHWOOD DISCUSSION GROUP AND ELSEWHERE

Paul Brazier

I had a wonderful time and it was a great weekend. Do thank Dave in the warmest way possible for all of us. It wasn't only a wonderful weekend of music, but the best organised such event I have ever attended. I didn't expect any less, but it was so nice not to be disappointed. He is a truly great man and it is a privilege to know him and his music.

Heather Malcolm

Brilliant

Jane Walton

Having not had a holiday this summer......a whole weekend of fantastic and lovely music, humour, good company, good conversation ; making new friends and so many 'Music Heros' my 'batteries' are well and truly recharged :-)

I wouldn't have changed anything, sheer perfection, how lovely of DC to use his moving song Where Silent Shadows, to promote such a worthy charity.

Will write a review later.

Paul and Lizzie Davies

THANK YOU THANK YOU THANK YOU

Did we have a wonderful time or what? Shame we didn't get to see the Strawberry Fools but wasn't Fred on top form. Don't ever think we underestimate the work put into the weekend - we can imagine the burden and we really really appreciate all that was done for all of the lucky people who attended - us included.

And what a FINE ALE as Fred would have said. It just blew us away. Next Strawbs event for us is Buxton Opera House.

Andy Slack

Great weekend. Good to meet up with old friends and get talking to others I hadn't met before, must check mugshots again to see who I may have just said hello to in passing. Hard to select high spots because there weren't any bits I didn't enjoy, the odd intro mistakes could be forgiven and were soon made up for by powerful performance. It all went by so quick I need the DVD for an action replay, hope it's out quicker than Bilston.

Calli Bradley

My Cup Runneth Over.

Lindsay Sorrell

I haven't come down from the clouds enough to write a review yet. Just want to say what an indescribable few days it has been, watching stunningly good music from band after band, and having so many powerful emotions stirred up.

Fantastic to meet up with so many great friends and also to make a lot of new ones. Hope everyone has a good journey home. Also, mindful of everyone who would have liked to have been there but couldn't be. We were thinking of you and you were with us in spirit.

Too much - time for a lie-down!

Ken Prospero

Well, I'm home, and after three days of too much beer and too little (an excellent combination for any vacation -- as a matter of fact, if you don't come home from vacation more tired than you began, you probably haven't done it right).

Hopefully, I'll get a chance to write something about the tour in the next day or so, while I'm still basking in the glow of the weekend.

Before that I wish to thank the UK Witchwooders, especially those who were in the Travelodge contingency. As a relative stranger to the group, I found you all gracious, friendly and incredibly inclusive. Though I came from the States and hadn't met many of you before throughout the weekend, I felt that I was included in a group of old friends.

As great as the music was ... and it was GREAT, at the very top of the highlight list for me was the feeling of welcome from all of you and the opportunity to meet a whole new set of friends in person.

Alison Brown

Sensational!!

Smurfy

I too have my head in the clouds still.......and did not get much pillow time Sunday night with the sounds of the day reverberating around my head. Will comment in more detail when my head clears somewhat.

Dave Callow

I just wanted to thank you for all the hard work put in. Yes, the Strawbs, their friends and relatives are all delightful – but it still must have cost a mountain of effort - and I want you to know just how very much it was appreciated.

Mike & Margaret Hurle

Amazing event, which we will remember for a very very long time.........

Paul Cummings

I attended the 40th.anniversary weekend at Twickenham and needed to say a few things....what a great, fantastic, brilliant, superb two days of ecstasy it was !

I was blown away by the whole occasion and the masterful musicianship of all concerned. I must admit that I was a little apprehensive about spending two full days worth of music involving some groups who had had little or no rehearsal time before hand - I was expecting some degree of organised chaos.

However, I was very pleasantly surprised with the contrary. Each act sounded like they had been rehearsing for a long time - they were all "tight".

Fred consistently brought tears to my eyes with his witticisms and the blend of chemistry between all the players was a joy to behold. My favourite "double act" was surely when Rick and Dave took the stage, it reminded me of Saint & Greavsie.

Please pass on my thanks to Dave et al for a fantastic weekend.

ps.looking forward to hearing Dave L's new group Zeus on CD - I hope they will be releasing something soon.

Steve Burn

What a weekend. Pass my personal thanks on to the boys and every one who was involved.

Pete Madeley

That was a totally amazing weekend. The music was breathtaking with the worst set being only slightly less than totally brilliant. A full weekend of Strawbs, and there still wasn't enough: how many bands could do that? The event was wonderfully organized and the setting excellent (the only minor grouse was the lack of variety with the food!). I was amazed by the friendliness of the whole event: both fans and performers mingled meeting old and new friends. Witchwooders from both sides of the Atlantic put faces to names (translators were provided!!).

I was pleasantly amazed by the manner in which the audience focussed on the music: how many times have an Acoustics or Brian and Cathryn set been marred by people talking, but not here.

AND NOW..... I am pleased to announce the 2 winners of the ATB Pete awards.

Firstly the "I sang a folksong once and inhaled" award for face furniture goes to.... Dave Lambert.

Secondly the award for the prestigious "Pete Madeley lookalike from behind award" goes to Chas (who was nominated by several ladies!).

Julie Longden

I've read some super, detailed reviews of Twickenham and I don't want to bore everyone by repeating what has already been so eloquently stated. I can't, however, let the occasion pass by without a few comments and, of course, thanks. The weekend was a triumph in every way. I have spent most of this weekend thinking: "This time last week...". I loved all the performances, especially the final show, but was particularly delighted to see BAO, Zeus and Cry No More as I hadn't seen them before. I was very impressed and hope to see them all again very soon. Please, please remember us Northern Witchwooders when booking tour dates! I'm certainly looking forward to hearing the new Zeus CD.

Many thanks to anyone involved in the organization of the show - it must have been a logistical nightmare with so much potential for things to go wrong. Nothing did. Super! Thanks to all those who attended and showed such friendship. Thanks to all who performed; no-one was less than brilliant. Thanks to Dick. Thanks to Andy and especially Mike who did all the driving. I am sure I'm not the only one who would stump up loads of quids to have the whole thing on DVD (rude jokes, swearing and mistakes - not many of these - included). Let's have another next year.

Cliff Port

Enough postings on the subject the forthcoming dvd of THAT weekend have indicated the universal desire for the footage of the entire weekend's festivities be made available.

In these days of modern technology short runs of CD's and DVD's are economically viable. So, if we skimp on the cover art, may I humbly suggest that a double DVD "best of", nicely packaged with all the trimmings be made for popular consumption and, for the hardcore fans, a series of specialist DVD's with all the sets in their entirity (and the stuff from the Rose Room etc.) - maybe, what, 3 sets per DVD, in chronological order, available individually?

THAT weekend clearly meant so much to so many; I felt so sorry for the Dutch contingent (the "sponsored walk" as Fred referred to them) who had to leave before the finale. We all waved them off during the last fag break!

And all those who couldn't make it. My heart really goes out to you guys... I do so hope the DVDs live up to your expectations, no, of course they will.

And finally .. Pete Cusumano's take on what the DVD should be like ...

I would say a DVD set with all the footage from the weekend that meets these requirements:
1. a performance the artist is pleased with
2. video footage good enough that when edited satisfies the director and the artist
3. audio that the artist is happy with.

Preorder bonus: a program from the event signed by as many of the artists as possible.

Then a completist package of all the other songs (audio only) available as a download from Witchwood Records at an additional fee.

It's a simple vision but nothing else will do, so let's not go round and round on this. We're not asking for something for nothing - we'll all gladly preorder. We can make it together. Together we'll have the ways and means. You can have from October to May to put it together, just so we have it before Bjorn has to sail away to the sea again. Don't tell us it will take longer 'cause that's when the crying starts. Maybe someone else would have the patience to wait through the winter and the summer - someone like the man who called himself Jesus but we're all too anxious. Think of it: There will come the day the DVD, with all its words of wisdom, arrives in this barren land under a cloudless sky and brings us a glimpse of heaven. Ah me, ah my, it seems such a day is always on my mind recently. Or am I dreaming? Don't let this be all in vain. Don't tell us to beat the retreat and get back in the old routine. Jenny O'Brien, Lawrence Brown, Joey and me feel just the same in every way about this. We want you to keep on trying to make those deadlines. Like we say in Seattle let it rain the winter long, come spring - it's a new world! Oh, how she changed! New beginnings everywhere! This is the call to action we must heed! Don't be caught deep in the darkest night dancing to the devil's beat beneath the angry sky while we're all here calling out your name. Look out on the horizon, the moon and stars are waiting till the sun comes shining through again. Yes, another day! My oh my my, what a glorious day it will be too when that DVD arrives...